To be still releasing great pop records 44 years after your debut is a fine achievement and that is exactly what Kim Wilde has done with her new album ‘Closer’.
Joyous is the only word that can be used to describe the warm family atmosphere resonant during this thoroughly enjoyable evening. Continue Reading ›
It took 13 years for DESIRE to follow-up their acclaimed self-titled debut album with ‘Escape’ but it’s taken just under 3 years for ‘Games People Play’ to emerge containing “twenty love songs for your dreams...”
the shadowy premise of ‘Games People Play’ is “Checkmate is inevitable - but who will make the final move?” Continue Reading ›
Established on 15th March 2010, ELECTRICITYCLUB.CO.UK celebrates 15 years online.
Reading like a 'Who's Who?' of electronic pop, it lists its 25 favourite interviews from over the years. All the interviews were conducted in-person or via a live call, except those with Alan Wilder, Karl Bartos and Rob Dean which were done by email. Continue Reading ›
“The medium of reinterpretation” is still very much present in the 21st Century. There have been albums of cover versions from the likes of SIMPLE MINDS and ERASURE.
So as a follow-up to the 25 CLASSIC SYNTH COVERS’ listing, here is a selection taken from reinterpretations recorded from 2000 to 2014, restricted to one song per artist moniker. Continue Reading ›
Spike is the nom de théâtre of London-based singer-songwriter Hannah McLoughlin.
Adept at flute, EWI and synth, Spike delivers a brand of macabre disco dealing with the undead and the inhuman. Her debut self-titled EP opens with a deadpan electronic cover of Warren Zevon’s ‘Werewolves Of London’. Continue Reading ›
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