Spike is the synthpop project of Hannah McLoughlin. Her self-titled debut long player embraces drowsy avant pop, angst-laden synth-punk and droning hauntology.
Short and sweet, this varied debut showcases Spike as a delightfully odd talent who provides a fresh playful take on electronic avant pop seeded by that uniquely British eccentricity.
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More than just a band, VISAGE became the ultimate studio collective, drawing talents from the ranks of MAGAZINE and ULTRAVOX to create a blueprint for the decade to come.
ELECTRICITYCLUB.CO.UK presents a synthcentric guide to the extended axis of the ultimate New Romantic ensemble. Continue Reading ›
In a modern musical landscape saturated with clinical digital perfection and sterile VST presets, there is something wonderfully rebellious about a return to the tactile warmth of vintage circuitry.
Enter OH! Their 16-track debut album ‘We Come In Peace’ was made with a strict philosophy of “no VSTs, no software samples”. Continue Reading ›
Having found an old cassette of a DURAN DURAN concert from 1979 at home, Stephen Duffy began reminiscing with Rhodes and suggested re-recording some of those original pre-Le Bon DURAN DURAN songs.
Settling on the name THE DEVILS to avoid confusion and give the project its own identity, the duo set themselves some rules… Continue Reading ›
The original line-up of THE MODERN unexpectedly reunited and played a special intimate show to friends and fans at Fiction Studios.
The nucleus of front woman Emma Cooke, with Nathan Cooper and Chi Tudor-Hart on vocals and synths were all present and correct. This live reunion coincided with the release of a 10 track vinyl LP edition of ‘Life In A Modern World’, its first availability in that format. Continue Reading ›
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