Kosmische trailblazer Harald Grosskopf is back with a new album ‘Glitches Brew’, the title being a jokey pun on the iconic Miles Davis’ record ‘Bitches Brew’ to reflect the productive friction between man and machine.
Harald Grosskopf first made his solo impact in electronic music back in 1980 with his now classic solo debut record ‘Synthesist’. Continue Reading ›
In the tradition of Mort Garson’s ‘Mother Earth’s Plantasia’ from 1976, ‘Yarrow’ is the new album by Portland-based ambient artist Patricia Wolf.
‘Yarrow’ is an aural bouquet inspired by the flowering plant which flourishes in North America and Eurasia. With guidance from a number of scientific academics, Patricia Wolf musically reflects on the life cycle of plants. Continue Reading ›
Paper Dress Vintage in London’s Hackney was the location for the first headlining show of A THOUSAND MAD THINGS.
Sold out for several weeks, it has reinforced the impressive impact that A THOUSAND MAD THINGS has made since releasing the debut EP ‘Cry & Dance’. The vehicle of William Barradale, his self-confessed mission is to bring dark synthpop back. Continue Reading ›
First there was ELECTRONIC with the nucleus of Bernard Sumner and Johnny Marr plus occasional guests Neil Tennant, Chris Lowe and Karl Bartos, but there is a new supergroup in town and they are called DOUBLESPEAK.
Their self-titled album began in 2017 as a collaboration with BLANCMANGE’s Neil Arthur and Vince Clarke of ERASURE. Continue Reading ›
HUE & CRY have surprised all by expanding their sonic palette and going “electro” on their new album ‘Everybody’.
While best known for their sophistipop hits ‘Labour Of Love’ and ‘Looking For Linda’, Pat and Greg Kane have not stood still and embraced the sound of DeepMind arpeggiators, hydrasynths, wavetables and classic drum machines... Continue Reading ›
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