Category: Introducing (Page 21 of 25)

Introducing THE HUNDRED IN THE HANDS


Hailing from Brooklyn, THE HUNDRED IN THE HANDS are Eleanore Everdell and Jason Friedman, a girl-boy duo who combine the electronic and the organic into a sultry new wave fusion.

Following their debut single ‘Dressed In Dresden’ on Pure Groove in 2009, they signed to the ultra-hip Warp Records and released their first EP ‘This Desert’.

Both showcased their sensibility for occasional gothic overtones a la JOY DIVISION and SIOUXSIE & THE BANSHEES.

Their self-titled debut came in late 2010 and on it, the fantastic opener ‘Young Aren’t Young’, produced by Richard X, was a dreamy Italo disco number layered with the type of chordial guitar that would have made Bernard Sumner proud, although on this live version for KEXP, it is rather cranked up to the max!

Also produced by Richard X, ‘Commotion’ possessed a brilliant dynamic energy which sounded like THE CURE at Studio 54 fronted by THE MOTELS, all very New York while simultaneously London or even Berlin.

Speaking of whom, while she doesn’t belt her voice in the way BERLIN’s Terri Nunn did in the manner of HEART fronting ULTRAVOX, Everdell’s more resigned tone complimented the spikey textures, pulsing sequences and the dance-friendly beats. The first single from the album entitled ‘Pigeons’ was another Richard X production which continued this enigmatic but accessible pop formation.

For their forthcoming new album ‘Red Night’, Everdell and Friedman have handled production themselves. From it, ‘Keep It Low’ is a development of their avant pop style with a steadier groove and heavier loom while ‘Faded’ is quite sparse, shaped by synth drones and dressed with Friedman’s harmonics while Everdell is cocooned in reverb valley.

It appears THE HUNDRED IN THE HANDS are venturing into territory once occupied by Warp label mates BROADCAST who were fronted by the late Trish Keenan. The duo themselves have said ‘Red Night’ is centred around “all heartbreak and fear of losing something special”


‘Red Night’ is released through Warp Records on 12th June 2012, while ‘The Desert’ and ‘The Hundred In The Hands’ are still available via the usual outlets.

http://thehundredinthehands.com

https://www.facebook.com/thehundredinthehands

https://twitter.com/TheHundredInThe

https://www.instagram.com/thehundredinthehands/


Text by Chi Ming Lai
3rd June 2012, updated 4th June 2012

Introducing SOCIAL AMBITIONS


Swedish duo SOCIAL AMBITIONS have been around a while but having been making sine waves lately with their inclusion on one of Rusty Egan’s DJ mixes.

Featuring the magnificent track ‘Paris’, the B-side of their previous single ‘Commandments’, this was hardly surprising as its solid pulsating bass, sparkling arpeggios, thundering percussion and robotic vocoders probably reminded The Blitz Club legend of his own seminal disco stomper ‘R.E.R.B.’ SOCIAL AMBITIONS formed in 2005. Based in Stockholm, Anders Karlsson (lead vocals, synthesizers) and Mikael Arborelius (synthesizers, backing vocals) released their debut album ‘Almost Gone’ in 2010.

The duo have a blend of influences ranging from modern electro and classic synthpop but add an attitude from the rockier end of the new wave spectrum. Most importantly though, their music does possess that Scandinavian knack for melody which has been notably apparent in worldwide selling acts such as ABBA and A-HA.

Their most recent release has been the ‘Anticpations’ EP. On it, ‘Rockers In My Head’ is one of these new wave synth tunes, all squelch games and string pads accompanying a catchy chorus like a Eurocentric version of THE STROKES backed by A-HA!

‘Angel’ with its rousing energy and synthesized declarations of love is possibly the most instantly accessible track of the bunch while ‘A Man’ also follows along a similar path. But it’s not all a HI-NRG styled romp as hints of CAMOUFLAGE sit on the more steadfast ‘Rain’ which adds some subtle industrialised textures to a Klingklang palette. In conclusion, it’s all very European and very electronic!

As the duo themselves have put it: “Analogue synths and stuff”…


The ‘Anticipation’ EP is released by Electric Fantastic Sound Records

www.socialambitions.com

www.facebook.com/socialambitions


Text by Chi Ming Lai
19th May 2012

Introducing KOVAK

KOVAK are a Brighton based combo who formed in 2008 with a shared love of bleeps and noises.

Comprising of Annelies Van de Velde (vocals), Karl Bray (guitars), Darren Bray (drums) and Martin White (keyboards), they were recently spotted supporting TOYAH in their home town. Their new single ‘Killer Boots’ is cooing new wave electropop with an immediately catchy Italo vibe while the appealing video is appropriately simple and sexy.

The song is from KOVAK’s forthcoming second album which is being produced by Andy Gray; his remix portfolio includes GARY NUMAN, JOHN FOXX and THE HUMAN LEAGUE. Recording is taking place at Arreton Manor, a haunted 15th Century house on the Isle Of Wight using a museum’s worth of vintage synths.

Interestingly, the biggest international interest in KOVAK has come from Canada. They were voted into the ‘Top 10 Critics Choice’ by Now magazine following their appearance at Toronto’s North By North East music festival.

Their last single ‘I’ll Be Good To You’ from debut album ‘Heroes & High Heels’ exuded a syncopated disco thrill and can be downloaded free from their Facebook page while the feisty stomper Sex Electric from the same album featured in Michael Madson’s film ‘The Big I Am’.

The foursome’s sound is developing nicely with new album track ‘Modern Lovers’ being a steadier poptastic bonanza with classic hooks that sit well within a contemporary setting.

Colourful, energetic and glamourous, KOVAK are like BLONDIE meeting DRAGONETTE and GWEN STEFANI through a TUBEWAY ARMY voltage controlled filter.


‘Killer Boots’ is available as a download from iTunes

http://kovak.co.uk/

http://www.facebook.com/pages/KOVAK/8594611777


Text by Chi Ming Lai
Photos by Elliot Nichol
17th April 2012

Introducing INJE


“It begins with deposits of ice crystals that are more or less separated; it forms during the cold, windy and foggy days when cooled water droplets catch the chill and immediately freeze”

Incidentally, their name in Serbian means ‘frost’. Hailing from Belgrade and featuring the nucleus of vocalist Jelena Miletić and instrumentalist Jovan Vesić, INJE have had the pleasure of supporting HURTS and FAITHLESS in their home country as well as being invited to play at Exit, one of Serbia’s most prestigious festivals.

Their chromatic Eastern Bloc charge will almost certainly please followers of LADYTRON. The excellent ‘Kofein I CO2’ from their EP ‘Protok’ is sort of DUBSTAR meets DAVID LYNCH film soundtrack with some sparing guitar work by Marko Ignjatović. It possesses an aural magnetism that is gorgeously layered with an air of wispy innocence. The self-directed video meanwhile captures a suitably enigmatic tension in keeping with the song.

Serbian newspaper Politika have described INJE as “minimal, dream-like electropop with ethereal female vocals”. Their first recording ‘Lego’ was for the compilation ‘Maska Sessions’ in 2008. While not particularly electronic sounding and sweetened with sax, it was a well crafted object of beauty.

Their acclaimed 2010 single ‘Danas’ has been a cult favourite in the Balkans while the remainder of the ‘Protok’ EP has a reserved melodicism driven by danceable but chilled out grooves. ‘Bez Protoka’ in particular with its steady backbeat and sweeping synthetic atmosphere recalls MARSHEAUX’s Sorrow which in turn was inspied by DEPECHE MODE’s ‘Halo’.


‘Kofein I CO2’ featuring two extra remixes, The ‘Protok’ EP and ‘Danas’ are available as free downloads via INJE’s website

http://inje.rs/

http://www.facebook.com/injeinjeinje


Text by Chi Ming Lai
3rd April 2012

Introducing THE MYSTIC UNDERGROUND


New York based duo THE MYSTIC UNDERGROUND are Vladimir Valette on vocals and Benedetto Socci on keyboards.

Their sound endorses all the elements of the Big Apple’s electro disco heritage and recalls INFORMATION SOCIETY, KON KAN, BOBBY ‘O’, NEW ORDER, PET SHOP BOYS and DEPECHE MODE.

With their passionate buzzy glam stomp entitled ‘Discord & Panic’, a descending synth riff captures a tension that is in the duo’s own words: “life…set to a dance beat”.

Earlier single ‘April Fool’s Day’ has been described by Vladimir as “a kitchen-sink drama on wheels”. He also added “Everything came together just swimmingly where both lyrically and musically, we believe April Fool’s Day encapsulates who we are as a band at the moment”. Heavy on sampled orchestra stabs, it’s not a scary monster!

Meanwhile, ‘Pride Of St Mark’s’ runs at a more frantic pace. Definitely ”pop songs for the disenchanted, disillusioned and disenfranchised”.


http://themysticunderground.tumblr.com/

http://www.facebook.com/themysticunderground

http://www.myspace.com/themysticunderground


Text by Chi Ming Lai
12th March 2012

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