Category: Reviews (Page 10 of 198)

CZARINA The Fox’s Wedding

22 December 2023 /

A film by The Kitsunés, ‘The Fox’s Wedding’ is both inspired by the East Asian folklore and legendary filmmaker Akira Kurosawa’s short film of the same title.

From ‘Arcana’, the acclaimed second album of Warrior Goth by New York born CZARINA, the immaculate visual presentation is directed by her and her husband DeadlyKawaii who together are The Kitsunés. It sees East embrace West with a nod to deep roots and lineage, following three mischievous children entering a magical forest filled with fantastical creatures and stumbling upon a magical wedding procession that they secretly follow.

As has been central to all previous CZARINA videos, care and attention has been applied to location and props. Filmed in the Spanish region of Galicia, there are hand painted masks with both Asian and Galician floral motifs as well as a traditional Galician Sporran.

CZARINA chatted to ELECTRICITYCLUB.CO.UK about the making of ‘The Fox’s Wedding’ and her future plans…

Out of the remaining tracks on the ‘Arcana’ album, what made you feel ‘The Fox’s Wedding’ deserved a video treatment?

I wrote ‘The Fox’s Wedding’ as the wedding march song for my and DeadlyKawaii’s wedding. We got married on Winter Solstice 5 years ago, but we had a low key ceremony and celebrations in New York at the time as our families were sprawled across 3 different continents. We are still hopeful to have a grand ceremony here in Galicia with our families together where we can actually utilise the song. But for now, we figured to work on a video that can visually elaborate on the magic that inspired the song, as well as a Winter Solstice offering to close Arcana before I move on to the next record.

Who is “The Fox”?

Both bride and groom in the video, along with the entire entourage. We just went with the singular “Fox” following the traditional title for the Asian folklore – in this case, the Japanese version, “Kitsune No Yomeiri.”

It’s interesting how foxes are vilified by the English Aristocracy and other Western cultures but Ancient Chinese traditions admired them?

The tale of the Fox Spirit – called kitsune in Japan, kumiho in Korea, and huli jing or Nine Tails in China and other parts of Asia – is a massive part of the diasporic traditional folklore of Asia.  Magical creatures, shapeshifters and demi-gods seen as both benevolent and malevolent in their role in maintaining cosmic balance as karmic deliverers, fox spirits are said to have brought downfall to certain dynastic empires.  But the legend of ‘The Fox’s Wedding’ is one that has been quite popular and has received numerous beautiful depictions throughout Asian history to today.  We wanted to capture a lot of the details of the legend in the video – from the sunshine rain to the kitsunebi ghost lights that appear in the forest and of course, the mischievous trickery and final reveal at the very end of the video.

Were the lit paper lanterns and boats inspired by the imagery of Chinese Mid-Autumn Festival?

Yes, we wanted to bring some of the most beautiful Asian traditions into the ambience, especially the dance of lights and the lantern boats from Chinese Mid-Autumn festival and DuanWu. The video is a unique amalgam of Asian traditions mixed with Galician to reflect both my and DeadlyKawaii’s diverse lineage and backgrounds.  We wanted to weave that beautiful visual tapestry that bridges the East with the West.  I always felt like it’s our personal duty with this project to symbolically communicate this bridge in both art and music, and this video gave the platform to showcase this.

The designs on the entourage’s fox masks were inspired by Sargadelos – which is the iconic Galician porcelain and ceramic wares found all over the region.  The entourage also wore blue robes as that is the official colour of Galicia.  Whereas the bride and groom have a mix of traditional Asian ceremonial attire with Galician motifs and accessories like the Galician Sporran, with their fox masks symbolising nature and the cosmos.

The faerie creatures that appear were also a mix – from kodamas or “tree spirits” found in Japanese folklore, also called nuno in Filipino, to the horned forest guardians found in Gaelic and Druid legends.

How was it directing the child stars in the story?

It was so much fun working with the kids! I felt we got very lucky because they were so perfect and such natural talents.  The two boys, Tico and Torgas, are the fraternal twins of our associate producer, and the girl Charlotte is their friend from school whom they eagerly suggested we cast. So they already have that natural bond with each other and were funny and goofy, yet curious at the same time.  We usually film our own videos, but this time we enlisted the help of Galician cinematographer, Raul Lorenzo, who worked with us in directing the kids for the shots.  All their shots were so precious and hilarious, so it was quite hard to choose what would go in the final edit. They did a beautiful and tremendous job ushering the audience into the magic and throughout.

You played for the first time in Germany at Dark Dance Treffen recently, how was it and are you doing more?

Performing at Dark Dance Treffen so far is one of my greatest highlights. I really had a great time at the festival and getting to know the German dark music and alternative scene.  The scene was quite next-level and I was truly in awe by how cool and awesome they are. And yes, I would love to do a tour in Germany soon and do more fests. The next dark fest I’ll be performing at is at the iconic Castle Party in Poland in July 2024.

ELECTRICITYCLUB.CO.UK gives its warmest thanks to CZARINA

‘The Fox’s Wedding’ is from the album ‘Arcana’ released by darkTunes Music Group, available from https://czarinaofficial.bandcamp.com/

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Text and Interview by Chi Ming Lai
22 December 2023

CLASSIX NOUVEAUX Battle Cry

16 November 2023 /

Emerging from the ashes of X-RAY SPEX who disbanded in 1979, Jak Airport (guitar) and BP Hurding (drums + sax) founded CLASSIX NOUVEAUX with Mik Sweeney (bass + synth) and Sal Solo (vocals, guitar + synth)

The Hertfordshire-based Sal Solo, who had attended St Michael’s Catholic School in Stevenage, possessed a striking persona that echoed Nosferatu while his voice had an impressive range that could be ominously deep while also hitting a piercing falsetto at its top end.

Sharing bills with acts like THE CURE, FAD GADGET, THEATRE OF HATE, OUR DAUGHTER’S WEDDING and SHOCK gave CLASSIX NOUVEAUX their post-punk futurist credentials. But with the burgeoning New Romantic movement, the band found themselves associated with the likes of SPANDAU BALLET and DURAN DURAN; although more guitar-driven, electronics were part of their modernist dressing and Sal Solo would often brandish an EDP Wasp on stage while BP Hurding would later use Simmons drums.

By the time CLASSIX NOUVEAUX were signed to the EMI-affiliated Liberty Records to release their first album ‘Night People’ in 1981, Jak Airport had left to be replaced Gary Steadman. From it was their breakthrough single ‘Guilty’ which had a video directed by Russell Mulcahy; featuring colourful extras from The Blitz Club who were even more flamboyant than Sal Solo, the video was rotated on MTV in America. As a result, singer Kim Carnes became a fan and when she released her New Romantic friendly cover of Jackie De Shannon’s cult country tune ‘Bette Davis Eyes’, its video was heavily based on ‘Guilty’, using the same set and director.

CLASSIX NOUVEAUX finally got the hit they deserved when ‘Is It A Dream?’ reached No11 in the UK singles charts in 1982. From their second album ‘La Verité’ and more optimistic than their earlier work, its brassy Stevie Wonder-inspired synth riff and Mik Sweeney’s funky fretless bass kept things upbeat and immediate while Gary Steadman’s Roland guitar synths and a vocoder triggered from an organ rhythm unit also featured prominently.

The success led to Liberty Records increasing the budget for the third CLASSIX NOUVEAUX album ‘Secret’ to enable Alex Sadkin, who had worked with THOMPSON TWINS and DURAN DURAN, to produce. However, record company politics intervened and the band were dropped. Although the album was released in 1983 without much fanfare, ‘Secret’ captured a more exotic sound palette with the sumptuous ballad ‘Never Never Comes’ becoming a cult favourite in Eastern Europe.

With all the uncertainty and upheaval, Sal Solo re-embraced his Roman Catholic faith and following a pilgrimage to San Damiano in Italy where the Miracle of St Francis of Assisi took place, released ‘San Damiano (Heart and Soul)’ in 1984; it eventually hit the high of No15 in the UK and No1 in Poland. CLASSIX NOUVEAUX were no more, until now…

Thanks to the wonders of the world wide web and remote recording, the classic CLASSIX NOUVEAUX line-up of Sal Solo, BP Hurding, Mik Sweeney and Gary Steadman reunited in 2021. Initially testing the water with a new version of ‘Inside Outside’ from ‘Night People’, the quartet have recorded 7 new songs for ‘Battle Cry’, their first brand new studio album in 40 years.

Sal Solo said: “The reason this project came about after 40 years is really because of the fans. About 10 years ago, some of the Classix fans were making Facebook pages but it didn’t really come to our attention until a couple of years back. We realised these people are really dedicated and decided to give them a kind of birthday present. I said to the guys ‘Why don’t we do a recording together and surprise the fans?’ Everybody said yes… and so we did a quick remake of one of our old songs ‘Inside Outside’ and to our surprise everyone’s immediately talking about new material!”

Appropriately, that first fruit of labour ‘Fix Your Eyes Up’ opens the album and it is appealing as a mature but classic CLASSIX NOUVEAUX song. ‘Battle Cry’ though is 6/8 prog pop that could be IT BITES with evangelical messages that reflect Sal Solo’s continuing role in the church. With Gregorian overtones, the soft ‘Wretched’ continues the theme and explores spiritual concerns in the face of sin.

‘Final Symphony’ takes its lead from LED ZEPPELIN and latter day Gary Numan in a goth rocker laced with haunting synthetic tones. But despite lyrically referencing the hit song titles of their synth-led contemporaries, ‘No Do Overs’ is a surprise ballad that begins acoustic; a reflection of the days time erased, overtones of ‘A Whiter Shade Of Pale’ or JS Bach’s ‘Air On A G string’ are thrown in, depending on your way of thinking.

Lyrically inspired by the end of The Book of Revelations, ‘Revelation Song’ is a mid-paced synth-metal number with fantasia imagery and folk brass drama added to the pot while a rework of ‘Never Never Comes’ offers lento funk. Solo is known have wished that he recorded ‘Is It A Dream?’ at a much slower tempo and this has no doubt had a bearing on the 21st Century version of ‘Inside Outside’ which kickstarted the reunion. Turned into something more atmospheric with VST chorals, its ironically sounds more like the original ‘Never Never Comes’.

The lengthy album closer ‘Colour Me The Sky’ continues the steadfast mood of the two reworked Classix favourites but in true prog style, it takes an about turn into explosive heavy metal and traditional six string sections, complete with assistance from virtual choirs and orchestration.

CLASSIX NOUVEAUX fans the world over will be very happy that they have been gifted a new record by a band who undoubtedly should have had at least the same success and cultural recognition as the Grammy Award winning A FLOCK OF SEAGULLS. Vocally, the theatrics are dialled down and musically, this is largely not the Classix of the past. As Sal Solo says in the ‘Battle Cry’ CD booklet notes: “If the music can speak to the fans as they are today, then we’ll be happy. It can still be a soundtrack for their lives, but not their lives in adolescence, it’s their lives as mature adults.”

Those who may have perhaps passed over their canon back in the day or are new to CLASSIX NOUVEAUX can listen back online to some excellent music thanks to the wider profile that will be accorded thanks to the release of ‘Battle Cry’. The internet is the reason why this album exists and why the music of CLASSIX NOUVEAUX will still be talked about today.

‘Battle Cry’ is released by Cherry Red Records as a clear vinyl LP and CD, information at https://www.cherryred.co.uk/artist/classix-nouveaux/

Digital download available from https://classixnouveaux.bandcamp.com/album/battle-cry

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Text by Chi Ming Lai
16 November 2023

JAAKKO EINO KALEVI Chaos Magic

14 November 2023 /

4 years since his ‘Dissolution’ mini-album and 5 years since the last album proper ‘Out Of Touch’, Jaakko Eino Kalevi releases a brand new double opus ‘Chaos Magic’.

“I was not planning to make a double album but somehow that is what it grew up to be” said the Finnish psych-pop voyager to ELECTRICITYCLUB.CO.UK, “I was just working on my song ideas and in the end didn´t want to drop anything out. I tried but it didn´t make sense to me.”

Inspired by his new home of Athens and the Greek word “kháos”, Jaakko Eino Kalevi has sought to find beauty in the chaotic nature of the everyday on ‘Chaos Magic’. Although written and recorded primarily in Greece, it was founded in collaboration at other locations including Germany, Estonia and Switzerland. The end result is a wide range of music covering sunny art pop, synthy new wave, cosmic jazz, electronic disco, space rock and darker baroque song experiments.

Starting it all off is the ‘Chaos Magic’ title track, a flauty jazzy instrumental with vibey reminiscences of AIR. Cut from a similar cloth, ‘Drifting Away’ does as the title suggests in a suitably sunny and breezy seaside jaunt about relaxing with wine and sax from fellow Finn Jimi Tenor.

The smooth but energetic synthpop of ‘Dino’s Deo’ recalls the Belgian electronic trio TELEX with great bubbling sequencer patterns while much more sombre in tone, ‘Hell & Heaven’ drops in phrases en Français from Franco-American anti-rock sibling duo FAUX REAL; “It was musically so dramatic so I had to go dramatically biblical in the lyrics” said Kalevi of this union. Swathed in haunting legacy of past relationships, Kalevi comes over spooked as a hypnotic bass Klangfarben and some classic European synth melodies dominate the marvellous ‘Night Walk’.

The classy mutant disco of ‘Palace In My Head’ displays a quite different demeanour from the bright start of the album with a darker claustrophobic atmosphere shaped by a demonic electronic bassline. However, French actress and singer Alma Jodorowsky who starred in the electronic music film ‘Le Choc Du Futur’ adds exquisite response vocals in the chorus recalling the central song from the film ‘Future Shock’ to offset proceedings perfectly.

An amusing comedown tune, the NEW ORDER flavoured ‘I Forget’ touches all the spectrums in its delivery with catchy synth riffs, an uplifting keyboard solo and wispy female vocals from Sigurlaug Gísladóttir who has released albums in her own right as Mr Silla. Meanwhile, ‘The Chamber Of Love’ pays homage superbly to ‘Everything She Wants’ by WHAM! in its arrangement. Less immediate but no less accomplished, ‘Cyborg’ takes the template into artier territory but still remains pop.

‘L’Horizon’ offers a full electronic funk workout with a prominent slap bass riff and Alma Jodorowsky adding more of her enticing Gallic allure. But even better is the brilliant Far Eastern flavoured ‘Galactic Romance’ sung by Yu-Ching Huang in Taiwanese Mandarin to provide an intriguing and hypnotic highlight as a romantic Moroder-esque space song.

‘Trouble Man’ stomps with more Far Eastern resonances with the rhythmic palette recalling the obscure CHINA CRISIS B-side ‘Cucumber Garden’ and in an outlier to the album’s other tracks, even features a rousing guitar solo.

Closing with the 13 minute synth and sax rock epic ‘Let’s See How Things Go’, Jimi Tenor returns along with another Finn Mikko Viljakainen aka Vilunki 3000; edited from an even longer version, with oddball girly choir chants to boot, the length creates suspension although it may be too much for casual listeners.

Cool yet catchy, this is a wondrous album and while it is a little bit long, ‘Chaos Magic’ contains some of the best music released in 2023. Eclectic and escapist, Jaakko Eino Kalevi might have even released the album of the year.

‘Chaos Magic’ is released by Weird World / Domino Recording Co on 17 November 2023 as a CD, double LP + download

Jaakko Eino Kalevi 2023 live dates include:

Berlin Arkaoda (16 November), Köln Eigelstein Torburg (17 November), Amsterdam Cinetol (18 November), Brussels Rotonde (20 November)*, Paris Point Ephémére (21 November)*, London Two Palms (22 November)*, Stockholm Stadsgårdsterminalen (13 December), Oslo Parkteatret (14 December), Copenhagen Ideal Bar (15 December), Helsinki Korjaamo (16 December)

*Special guests MINIMAL SCHLAGER

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Text by Chi Ming Lai
14 November 2023

CURSES Presents: Next Wave Acid Punx DEUX

7 November 2023 /

Berlin-based musician and DJ Luca Venezia, better known as CURSES, presents ‘Next Wave Acid Punx DEUX’, his second curated compilation exploring the darker side of club music though the decades. The first volume had been a lockdown inspired exploration of his own record collection.

Released by Eskimo Recordings and featuring 49 tracks, the music is split into three distinct chapters with more than half being previously unreleased; “Many of these songs come from friends close of mine, or artists I perform with and tour with a lot, whose music and craft I admire and champion.” Luca Venezia told ELECTRICITYCLUB.CO.UK about the set, “We are all making a very niche style of music, and everyone is approaching it in their own unique way, it is only natural we migrate to be friends and share the stage together… like a primal instinct.”

Conceived with his ideal night out in mind, compiling such an compilation was not without its headaches; “Fortunately with the help of Eskimo and N.E.W.S., the licensing team are an absolute powerhouse” recalled Venezia, “It wasn’t easy, especially the older material, like Malcolm McLaren’s ‘Madame Butterfly’… and yes, there was SO much music I wanted but couldn’t get the rights to. Not because the artists said no, but because it was impossible to find WHO owned the rights now. Members in bands split up, some pass away, some vanish… it’s a puzzle at times to license the 80s underground electronic gems”.

Chapter 1 contains the pioneering acts of the past that were occasionally signed to major labels and even flirted with the mainstream pop charts. The set opens with ‘Distant Dreams Pt 2’, a wonderful suitably obscure 1980 B-side from THROBBING GRISTLE, while another lesser known gem comes from BIG AUDIO DYNAMITE with ‘The Big V’, the instrumental variant of the 1986 single ‘V. Thirteen’.

The first name likely to be recalled when dark club music comes to mind, especially to Taylor Swift fans, are CABARET VOLTAIRE and they fit like a glove on this compendium with ‘Blue Heat’ from ‘Micro-Phonies’, as do Dutch band CLAN OF XYMOX with ‘Obsession’, an excellent example of classic electro-goth disco.

Of course, NITZER EBB are present and correct with ‘Hearts & Minds’ while DAF stand firm with their declaration as ‘Brothers’ in their appealing but less heralded English language disco phase.

Collecting superb tracks from various acclaimed cult acts, ‘The Murder Of Love’ by PROPAGANDA and the I Dream Of Jeanne Mix of ‘Modigliani (Lost In Your Eyes)’ by BOOK OF LOVE demonstrate how the developing digital technology enabled powerful sampled sounds effectively at the flick of a switch. However, best of all are former SOFT CELL backing singers VICIOUS PINK who really should have had a huge worldwide hit with the brilliant Tony Mansfield produced ‘Cccan’t You See’

Chapter 2 moves the night on starting with ‘Voloczny’, an unreleased song from back in day by BOYTRONIC towards the present with modern day electronic producers such as Jennifer Touch and Kris Baha. In a new 2023 version, THE KVB come over like THE JESUS & MARY CHAIN with synths on ‘Still Warm’ while YEARS OF DENIAL capture plenty of stark menace on ‘It Sucks.

Canadian wife-and-husband duo ESSAIE PAS provide enigmatic prose en Français over a cascade of pulsing synths on ‘Retox’ while Berlin-based trio DINA SUMMER update the gothic disco template on ‘Darkness’. Affirming the international cast of ‘Next Wave Acid Punx DEUX’, Spain’s DAME AREA go on a heavier industrial club excursion via ‘Buon Cittadino’ but on the opposite side of the coin and Atlantic, DESIRE offer enigmatic coyness on ‘Love Races On’ outside of their Italians Do It Better stable.

Chapter 3 is the part of the night you probably should go home but don’t… a wilder, harder and more aggressive energy is here if you so desire. There is naturally a Dark Remix of ‘Machina’ from BOY HARSHER with guest vocals by Mariana Saldaña. But utilising tense triplets and brassy melodramatic stabs, CURSES revamps J.W.B. HITS THE BEAT’s ‘Body On Body’. CURSES returns to remix NUOVO TESTAMENTO’s ‘Heartbeat’ and there is an enjoyable instrumental in ‘Non Fiction’ by SILENT SERVANT.

Two of the best tracks come via Australia; ‘Burning Eyes’ is a Hi-NRG romp with wispy voice ad-libs courtesy of NEU-ROMANCER and ZANIAS’ ‘Tryptamine Palace’ is a tremendous textural dance track. ANDI VS RANDOLPH & MORTIMER make their presence felt with big beats on ‘Formidable Truths’ while Michel Amato aka THE HACKER does not disappoint with the previously unreleased ‘Monopoly’. To end, Greek synth duo PARADOX OBSCUR make a beefy contribution in ‘Evo-Devo’ that recalls French art pop duo LES RITA MISOUKO.

On the spiritual and musical thread that helped make this cohesive collection, Luca Venezia surmised: “Every artist involved has their own personal and unique take on the timeless love affair between human and machine. All the music on ‘DEUX’ also embraces the punk and DIY raw energy of live music into electronic music; artists LIKE YEARS OF DENIAL, BOY HARSHER, NUOVO TESTAMENTO, NITZER EBB, BOYTRONIC and DINA SUMMER are all good examples of how the music is very personal, verse chorus verse song-based concert music, yet can also be DJ’d in a club at 4am in a dusty thriving warehouse rave.”

Music from the past and present can sit comfortably together in the same place and ‘Next Wave Acid Punx DEUX’ proves it.

With thanks to Luca Venezia and Mirren Thomson at Eclectica

‘Next Wave Acid Punx DEUX’ is released by Eskimo Recordings, available now as three separate chaptered double vinyl albums, a three chapter vinyl combo pack, a triple CD box set and high quality download direct from https://cursesforever.bandcamp.com/album/next-wave-acid-punx-deux-2

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Text by Chi Ming Lai
7 November 2023

KNIGHT$ $auna Mu$ik EP

3 November 2023 /

After a successful tour opening for DRAB MAJESTY and numerous live dates in Europe as part of BOYTRONIC as well as solo, Britalo king James Knights is back on home soil with a new EP ‘$auna Mu$ik’.

Containing his first new music since ‘Boom Bang Boom!’ in 2021, the lead track of the ‘$auna Mu$ik’ EP is the vibrant hook-laden Eurobeat romp of ‘What Planet Did You Come From? (Baby)’, a tune that was premiered during his live shows in 2023.

Throwing in the kitchen sink with synth, sax and vocoder, it has shades of Patrick Cowley’s work for Sylvester and Bobby Orlando’s Divine productions. Mexican producers Ant-People who remixed ‘Boom Bang Boom!’ is back again to provide a more metronomic disco take while Franz Scala provides a body rhythmic instrumental reconstruction.

KNIGHT$ has previously displayed his love of BRONSKI BEAT via his own trouser tightening number ‘Hijack My Heart’ so it is no surprise that he has faithfully covered ‘Hit That Perfect Beat’ for the vinyl edition of ‘$auna Mu$ik’.

But an extra treat comes in the tongue-in-cheek new wave political observation ‘Hi-NRG Crisis’. With shades of THE FRESHIES but with electronic backing, it documents a Brexit Britain ruled by a revolving door of rich narcissists who nothing of real life or the plight of their citizens. ‘Hi-NRG Crisis’ will make the perfect soundtrack to the next video montage made to highlight the vile self-serving nature of this Tory government…

While dealing with the themes of infatuation, ‘$auna Mu$ik’ is also not afraid to highlight more existential issues closer to home now that ice cream season is over…

The ‘$auna Mu$ik’ EP is released by Specchio Uomo available as a limited edition white 5 track 12″ vinyl EP and download from https://knights101.bandcamp.com/album/auna-mu-ik-ep

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Text by Chi Ming Lai
3 November 2023

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