From Östersund in Sweden comes Hanna Rua, a dreamy new electronic pop artist based in Brighton who has just signed to Aztec Records whose past and present artists include BRIGHT LIGHT BRIGHT LIGHT, NINA and BUNNY X.
With her bright and breezy vocal style, her uplifting debut single 'Don't Cut Your Angels' came out at the end of 2021. Continuing the good work at a more cruising syncopated pace, her new single is ‘Tears On Your Pillow’, a song about unfulfilled dreams and disappointments. Continue Reading ›
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Wolfgang Flür is best known as one of the two electronic percussionists in the classic line-up of KRAFTWERK that gave the world ‘Radio-Activity, ‘Trans-Europe Express’, ‘The Man Machine’ and ‘Computer World’.
But despite what has been close to a five decade recording career, Wolfgang Flür releases what is only his second full-length collection under his own name. ‘Magazine 1’ follows up 2015’s 'Eloquence'. Continue Reading ›
Intended as a soundtrack to a sadly post truth world, Rodney Cromwell returns with his second album ‘Memory Box’.
A very different album to 2015’s ‘Age Of Anxiety’, ‘Memory Box’ is a much hazier record presented with cerebral impressionistic qualities. It all begins with the motorik buzz ‘n’ bleep fest of ‘Intercom’ with vocoders that sound like ‘Trans’ era Neil Young if he had a more indie bent. Continue Reading ›
After the noir atmospherics of ‘Better Than Electric’, KID MOXIE does something of a complete 180.
The follow-up 'Shine' features a much darker and harder sound thanks to German producer FADERHEAD. Taking both musical and lyrical inspiration from DEPECHE MODE's ‘Never Let Me Down Gain’, front woman Elena Charbila assertively declares “I’m taking the lead in the back seat”. Continue Reading ›
Although song based, the first full length Alina Valentina album ‘Works & Days’ was more Cosey Fanni Tutti than comfy synth, with a darkwave air akin to reverberant French duo MINUIT MACHINE.
But after the heavy disposition of ‘Works & Days’ with it fatalistic disposition, the swift follow-up ‘Life Is Like A Fairytale’ allows some light in but the occasional lyrical misanthropy still looms. Continue Reading ›
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