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Introducing O+HER

A pact which links two subjects together in one action, one body, one vision, O+HER is the new Swedish darkwave duo comprising of Tobias Bernstrup and Erica Li Lundqvist. Tobias Bernstrup is best known for his brand of Italo Noir as exemplified by his most recent album ‘Petrichor’ while Erica Li Lundqvist is a member of enigmatic trio ABU NEIN. O+HER is much less Italo Noir, encaspulating a much more brooding and gothic presence. Continue Reading ›

Vintage Synth Trumps with MESH

In 2017, Bristol’s MESH granted access to a film crew to document the second leg of their tour of Germany in support of their seventh album ‘Looking Skyward’. Richard Silverthorn joined ELECTRICITYCLUB.CO.UK from his studio for a game of Vintage Synth Trumps and talked about the four and a half year journey to bring ‘Touring Skyward - A Tour Movie’ to their ‘Friends Like These’. Continue Reading ›

Lost Albums: BANDERAS Ripe

Released in 1991, ‘Ripe’ was the only album by BANDERAS. The pairing of Caroline Buckley and Sally Herbert met in 1987 when they were in the live band of THE COMMUNARDS. After THE COMMUNARDS disbanded and Jimmy Somerville loaned the pair a Yamaha DX7 and a sampler, Buckley and Herbert became BANDERAS, the Spanish word for “flag”. Adopting a striking shaven headed image, they began writing songs and gigging. Continue Reading ›

THE ELECTRONIC LEGACY OF 1982

While 1981 was the most important year in synth for its mainstream crossover, 1982 saw it consolidating its presence and finding itself intertwined into other genres. Despite all this, signs of a synth backlash were coming to a head. In alphabetical order with the restriction of one album per artist moniker, ELECTRICITYCLUB.CO.UK lists 20 albums that contributed to the electronic legacy of 1982. Continue Reading ›

КЛЕТ 1984? No!

КЛЕТ is a music project of Bohemian-born composer and producer Michal Trávníček. His debut album ‘Alconaut’ was undoubtedly the best instrumental synth release of 2021 and primarily celebrated the Soviet space programme with its impressive series of firsts, while also reflecting on how after the collapse of the union, in the fallout of the freedom now available with capitalism, life was not rosy for all. Less than half a year after the release of ‘Alconaut’ comes a musical appendix ‘1984? No!’. Continue Reading ›

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