If Jane Birkin had been backed by minimal electronics from Serge Gainsbourg, then they probably would have sounded like XENO & OAKLANDER. Already veterans of seven albums, Liz Wendelbo and Sean McBride’s new long player 'Vi/deo' continues to expand on the duo’s multi-sensory exploration of synaesthesia, inspired by perfumes, celebrity culture and vintage technology. Continue Reading ›
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Manchester, so much to answer for… SEA FEVER are a new but seasoned quintet whose musical family trees link up through their various associations with some of the city’s best known bands such as NEW ORDER, THE SMITHS, SECTION 25 and THE FALL. Their debut album ‘Folding Lines’ is the sound of a band instinctively working together. Continue Reading ›
Hailing from Manchester, LONELADY released her first album 'Nerve Up' in 2010. The nom de théâtre of Julie Campbell, her influences include post-punk, funk and electronic pop. The third LONELADY album 'Former Things' saw an increased use of drum machines, sequencers and synths. Continue Reading ›
1980 was something of a transition year for the synth as it knocked on the door of the mainstream charts but by 1981, it was more or less let in with welcome arms. From the same team behind the ‘Close To The Noise Floor’ compendiums and the most excellent Electrical Language’ boxed set, ‘Musik Music Musique 2.0 1981 - The Rise Of Synth Pop’ presents rarities alongside hits and key album tracks Continue Reading ›
Baba Yaga's Hut gathered two of the UK's most talented synth ladies for an intimate evening of live performance. For Alice Hubble, the analogue warmth of vintage keyboards has always been a key DNA constituent of her sound. But for Hattie Cooke who uses just GarageBand for her take on synth, it was a MacBook with backing tracks. Continue Reading ›
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