Tag: Siouxsie & The Banshees (Page 2 of 2)

LES PANTIES Cold Science


‘Cold Science’ is a new singles anthology by Brussels cold wave indietronica combo LES PANTIES.

Founded by Hugo Fernandez (drums), Sebastien Decupere (guitars) and Paul Normann (bass), LES PANTIES are fronted by the deep, pronounced voice of Sophie Frison which at times, powerfully recalls Siouxsie Sioux. While their sound echoes other Belgian acts like THE NAMES, the modern electronic sheen of SOULWAX also makes its presence felt.

Like SAVAGES’ Jehnny Beth, Sophie Frison exudes a stylish gothique. Released on the iconic Les Disques du Crépuscule and compiling material released between 2011 to 2015, inevitably the spectre of JOY DIVISION and THE CURE looms over ‘Cold Science’. But with Frison’s vocals and the presence of sparkling string synths, the mood is lighter but still laced with tension.

Beginning with the brooding ‘Velvet’, while a conventional backbone dominates, the use of technology is one of LES PANTIES’ distinguishing attributes. The melodic bass and scratchy guitars of ‘The Gate’ are offset by swirling synths and one could imagine this being covered by MARSHEAUX if the syncopated percussion mantra was replaced by a Motorik drum machine beat.

‘Diving’ actually sees a drum machine and synthesized melodies taking on a more central role; both remain as constants in the musical core as the lengthy track percussively builds to a sexy, passionate climax. Meanwhile, the retro-futuristic indiepop of ‘Factory’ unsurprisingly sounds like early NEW ORDER while ‘Hazy Days’ comes over as if Siouxsie had joined Robert Smith’s combo back in the day, as opposed to the other way round!

The moody ‘White Tiger’ is layered with prominent keyboards to boost the angst ridden atmosphere but as it progresses, the guitars get much heavier. This trend continues with LES PANTIES’ more conventional debut single pairing ‘Porkshop’ and ‘Westie’, as the tracklisting moves along in reverse chronological order.

However, the best is saved until last with a superb sequencer assisted ‘L’Arrivée V2’ as a bonus track. Already an excellent disco inflected tune in its original guise, it is considerably enhanced with the use of more electronics and even tighter drum programming, courtesy of producer Ian Caple whose previous credits have included SHRIEKBACK, TINDERSTICKS, A-HA and EMILIE SIMON. It is in here in its second half that the SOULWAX influences really punch their way through.

It’s an indicator of how good LES PANTIES could become if they pursue this indie electro hybrid direction. Whatever happens next, ‘Cold Science’ makes a promising shop window for now.


‘Cold Science’ is released by Les Disques du Crépuscule in CD and download formats

http://lespanties.tumblr.com/

https://www.facebook.com/LESPANTS/

http://lesdisquesducrepuscule.com/cold_science_twi1227cd.html


Text by Chi Ming Lai
3rd September 2016

TRENTEMØLLER River In Me

TRENTEMØLLER River In MeCombining electronics and frenzied digital drums with live bass, ‘River In Me’ is the first single from TRENTEMØLLER’s upcoming fourth album ‘Fixion’, out in September. Vocals are provided by Jehnny Beth of the acclaimed indie band SAVAGES.

Best known for his superb club remix of DEPECHE MODE’s ‘Wrong’, it well and truly outstripped the rather ploddy original.

The dynamic edge of ‘River In Me’ has more than highlighted the short sightedness of the Basildon combo in not employing Anders Trentemøller to work on their new, as-yet untitled album.

Generally a remote collaborator, ‘River In Me’ is an unusual TRENTEMØLLER recording in that the SAVAGES frontwoman came to his home studio in Copenhagen to lay down the vocals. The end result naturally possesses a Gothic intensity but remains vibrant and melodic, with Beth’s Siouxsie-like tones complimenting the hybrid synth laced soundscape. Some have complained that ‘River In Me’ is not dark enough compared with TRENTEMØLLER’s previous work, but it is his most immediate song yet with a fine balance of accessibility and mood.

Directed by Åsa Riton and Andreas Emenius, the promo video for ‘River In Me’ filmed in Northern Sweden offers some appropriately icy aesthetics as a backdrop to the mysterious Nordic Noir love story.

The working relationship between Anders Trentemøller and Jehnny Beth began when the Dane mixed SAVAGES breakthrough album ‘Adore Life’. Beth said to Uncut earlier this year “he was not a traditional rock ‘n’ roll mixer, he was coming from electronic music, but with extensive guitar music knowledge”.

Trentemoller-press-photo-2016That should have confirmed TRENTEMØLLER’s credentials for working with DEPECHE MODE but alas, it is rumoured James Ford of SIMIAN MOBILE DISCO has got the job.

Having recently produced FLORENCE & THE MACHINE, ARCTIC MONKEYS, FOALS and MUMFORD & SONS, Ford’s work with the latter in particular would have no doubt sealed the deal for the rockcentric Dave Gahan.

However, all is not completely lost… if DEPECHE MODE are not going to have TRENTEMØLLER as a producer, then they should at least put him behind the desk to sort out the final mix. After all, he did a good job with ‘Wrong’.


‘River In Me’ is released as a 7 inch single and download by In My Room, available now from https://trentemoller.bandcamp.com/album/river-in-me

TRENTEMØLLER plays London Islington Assembly Hall on 18th September and an instore gig at Rough Trade East (London) on 19th September 2016

http://www.anderstrentemoller.com/

https://www.facebook.com/trentemoller/


Text by Chi Ming Lai
Photo by Sofie Nørregaard
6th July 2016

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