Tag: VH x RR

VH x RR On The Shoulders Of Giants EP

VH x RR is the collaborative project of American-based pairing Von Hertzog and Rob Rowe.

Von Hertzog is best known as a producer and the studio guru behind The Social Club complex, while Rob Rowe was the singer of CAUSE & EFFECT who had four albums and numerous EPs to their name. Rather like two astronauts in separate spaceships but on the same mission, the pair have still yet to actually meet in person, with Hertzog operating his complex outside Philadelphia while the English-born Rowe works from his home studio in Seattle.

In 2020, the duo opened their account with ‘The Persistence Of Memory’ EP, the first of their Cosmos Trilogy themed around the wonders of the universe which was followed up the following year by ‘A Sky Full Of Ghosts’. The final segment ‘On the Shoulders of Giants’ now hits the airwaves and takes its name from the book by the late great Stephen Hawking celebrating the history of physics and astronomy. It’s an expansion of the steadfast musical and lyrical imagery that illustrated the first two EPs.

The strident ‘Shattered Bones’ opens ‘On the Shoulders of Giants’ with a brooding widescreen mood and RR even vocally expresses tinges of Jim Kerr from SIMPLE MINDS in a midtempo statement on the fragility of existence in this collapsing world.

‘Slipped’ is no less cheerful in its weary expression of loss, something that Rowe has had tragic experience of. But it glistens despite the melancholy in the anguished delivery and within the layered harmonisation, there’s a glimmer of hope. With a thrusting octave shift, the anthemic ‘Heavenly Outline’ takes the pace up very slightly although this is not exactly a hands-in-the-air experience, its message is to take chances and overcome fears because you only live once.

Driven by a throbbing engine room, ‘The Undertow’ in an absorbing cosmic adventure while on sister song ‘The Fray’, a vintage drum machine backbeat is the core of a spacey never ending story seeking light and love; Hertzog himself sees these two songs as “yin and yang”. Closing with an unexpected but subtle percussive mantra, ‘Don’t Let Go’ closes ‘On The Shoulders Of Giants’ with a flash of optimism to counter that darkness that has lingered over a trilogy that has dug into the human condition via its inter-galactic metaphors.

The concept is as much metaphysical as it is existential and as VH x RR have stated, “Ideas do not exist in a vacuum. They are the result of, and informed by, the past”. While the songs, the singing and the production cannot be faulted, if there is a criticism, then it is that the protracted midtempo nature of this EP and the trilogy may be heavy going for some listeners.

Despite that, there are some excellent tracks and existing followers of Von Hertzog and Rob Rowe will cherish this latest VH x RR release with its emotional intensity and felicitous sonic easel to compile themselves a full length album from these three bodies of work.


‘On The Shoulders Of Giants’ is released as a CD EP and to online platforms on 10th September 2022 https://vhxrr.bandcamp.com/album/on-the-shoulders-of-giants

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Text by Chi Ming Lai
6th September 2022

VEHLINGGO PRESENTS: 5 Years


Originally released in November 2019, ‘Vehlinggo Presents: 5 Years’ collected together exclusive tracks from the world of synthwave and electronic pop.

Curated by Aaron Vehling, founder of Vehlinggo, the 17 tracks presented the musical ethos of the Brooklyn-based website, podcast and multimedia platform. Having been issued digitally, ‘Vehlinggo Presents: 5 Years’ is now available on CD with a slight adjustment in running order to reflect Vehling’s vision of an imaginary film soundtrack.

Any good compilation contains promising talents alongside established names and this is certainly the case here.

The reconfigured tracklisting begins in a cool stylish fashion with ANORAAK’s ‘Panarea’, a funky nu-disco instrumental. Retrospective references surface with Canada’s PARALLELS on ‘The Magic Hour’, an exquisite slice of synthesized new wave that wouldn’t have sounded out of place in a classic Brat Pack movie.

Remaining in Canada which has become the creative centrepoint for much of the best modern synth music, Ryan Gosling favourites FM ATTACK offer more of their trademark atmospheric electronic disco on ‘Paradise’.

The mood changes though with the appealing girly Italopop of New Yorkers BUNNY X and their ‘Revolving Doors’.

Now THE MIDNIGHT have become possibly the biggest synthwave crossover act with their sax assisted AOR but their appeal still baffles some observers; ‘Sometimes She Smiles’ does not change things and sounds not unlike busker balladeer PASSENGER but constructed using VSTs.

But with the pacey ‘Rage Of Honor’, proceedings are rocked up by LE MATOS although the backbone is still predominantly electronic. With a track entitled ‘Hi-NRG’, BETAMAXX begins proceedings with a cowbell frenzy but the speedy arpeggios soon join in for a Giorgio Moroder homage complete with digital chimes.

The shiny electro continues with the Sweden’s Johan Agebjörn and ‘Have You Ever Been In Love?’; using robotic vocal treatments like FM ATTACK, because this is a dub version of the track, the featured vocal of Tom Hooker, the voice behind many of the hits for famed Italo star Den Harrow, only comes in phrases which proves to be frustrating; the solution is to track down the original mix of the song from the ‘Videoman’ soundtrack.

 

MAETHELVIN cuts a solid funk groove on ‘Dance Through The Night’ aided by a LinnDrum derived pattern but maintains a chilly air, while from the Italians Do It Better stable, the previously unreleased Johnny Jewel produced ‘Gold’ by IN MIRRORS builds on some staccato tension.

The throbbing ‘Girl On Video’ from FORGOTTEN ILLUSIONS is loaded with hooks and big synthetic drum fills but while it is passable 4/4 synthwave fare, it is overlong and may have benefitted from being constructed around a 6/8 Schaffel to give it more bite.

A self-confessed “21st Century ’80s” artist, DIAMOND FIELD takes the delightful Dana Jean Phoenix into an interesting direction on ‘Freedom Pass’ by producing something that comes over like THE GO-GO’S gone synthpop. It recalls when Jane Wiedlin was working with PET SHOP BOYS producer Stephen Hague after the group first disbanded.

Beginning with some female prose en Français, DEADLY AVENGER‘s ‘Your Phone Is Off The Hook, But You’re Not’ is reminiscent of the quirky French underground from which cult acts such as MATHEMATIQUES MODERNES and RUTH emerged. Meanwhile, the wonderful MECHA MAIKO contributes the arty ‘Selfless’ which stands out with its screechy backdrop before settling into an avant pop concoction that makes hypnotic use of her repeated “It’s alright” phrasing!

‘She Sees A Future’ from Lakeshore Records signing VH X RR perhaps has the most nostalgic references like THE LOVER SPEAKS meeting ANIMOTION, but proceedings are taken down a notch by the filmic vocodered mood piece that is METAVARI’s ‘Be What You See’.

But the best is saved until last with HIGHWAY SUPERSTAR and the gorgeously dreamy ‘Slow Motion’; featuring a fabulous vocal by Zoe Polanski, the end result comes across a bit like ELECTRIC YOUTH.

‘Vehlinggo Presents: 5 Years’ does its job well of showcasing new and established international talent from an American perspective.

Coming from variants of electronic music that have been labelled as synthpop, Italo Disco, synthwave, nu-disco and French disco, what actually matters is whether the music is any good.

Considering this compilation contains largely of previously unreleased material with the baggage that can come with that knowledge, the majority of it is excellent. Listeners will of course have their own favourites, but there really is something for everyone who loves electronic pop with quality and substance.


‘Vehlinggo Presents: 5 Years’ is released as a limited edition CD in a packaged in a six-panel wallet with artists’ notes on 1st March 2021 while the digital album is available now direct from https://vehlinggopresents.com/album/vehlinggo-presents-5-years

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Text by Chi Ming Lai
5th February 2021